073: impression

Art museums are exhausting. A thousand choices to make—which paintings to stop at, which to stroll past, which placards to read. And at each painting, so much to do—first, to arrive, to pause thoughtfully. Then to draw up a response, a feeling, a thought—some kind of reaction that is both naturally conceived and correct. It is not enough to look at a painting and think, “I like this one”. You must come up with a response that has weight, heft, interest. You have lines to follow, shapes to trace, colors and gradations to dive into. A hundred times you must do this, over and over, for every piece of art, and all while being quiet and not looking at the guards too often and not giving off the impression that you’re about to steal a painting.